Cert: U Runtime: 91 mins Director: Genndy Tartakovsky Starring: Adam Sandler, Selena Gomez, Andy Samberg, Kevin James, CeeLo Green, David Spade, Jon Lovitz and Steve Buscemi
Welcome To Hotel Transylvania!
So vampires, werewolves,mummys and Frankenstein monsters are a part of any monster lovers life. Now the young children of the world can be educated in the cinema glory of these monsters. Hotel Transylvania is really not my cup of tea, my other half made me watch it. So what is Hotel Transylvania? Hotel Transylvania is Dracula’s (Adam Sandler) lavish five-stake resort, where monsters and their families can live it up, free to be the monsters they are without humans to bother them. On one special weekend, Dracula has invited some of the world’s most famous monsters – Frankenstein (Kevin James) and his wife, the Mummy (CeeLo Green), the Invisible Man, a family of werewolves, and more – to celebrate his daughter Mavis’ (Selena Gomez) 118th birthday. For Drac, catering to all of these legendary monsters is no problem – but his world could come crashing down when a human (Andy Samberg) stumbles on the hotel for the first time and takes a shine to Mavis.
Sidestepping the inconsequential nature of Hotel Transylvania’s execution, a significant failing of the film comes via the misleading trailers which essentially play out as a bait and switch. The promotional material promises a comedy of errors whereby a human stumbles upon a retreat for the fantastical. Hilarity would hopefully ensure as Adam Sandler’s Dracula tries to hide the true nature of his abode (and its many odd residents).However, that portion of the film plays out almost immediately and what we’re left with is the well-worn overprotective parent story as the hotel’s newcomer falls for the famed vamp’s daughter, Mavis. Adding a level of creepiness to the whole ordeal (and I don’t mean of the horror variety) is that Mavis is 118 years old and is essentially being kept in solitude by her father. Freud, eat your heart out.That central plot thread of Hotel Transylvania is hopelessly clichéd and so overdone it adds yet another layer of dust to this proverbial dinosaur of a movie. One could name a few dozen films in a matter of seconds that utilize that trope as its driving comedic force and alas it’s not even the first animated flick of the year to do so. Pixar’s Brave also employed the overbearing (at points literally “over-bearing”) parent shtick and unsurprisingly it turned out to be one of the weakest and most insubstantial entries in the studio’s canon. Hotel Transylvania with its simplified animation, less successful humor and weaker voice cast is another step down on that disappointment.
With the aforementioned voice cast, an impressive line-up has nevertheless been assembled. Sandler is the classical Transylvanian blood-sucker – velcome! – Selena Gomez his daughter and the guests attending her birthday include Andy Samberg (as the human presence) Kevin James, Steve Buscemi, David Spade, Jon Lovitz, Rob Riggle, Fran Drescher and Cee LoGreen. Samberg is among the funnier of the bunch and nobody does Buscemi quite like Buscemi, but regardless of the talent on hand, there is not a memorable performance between them. Nobody is offensively awful but when the material isn’t failing them…OK the material fails them.Bah, but enough with the hate as this is not in fact a scathing review and as a whole Hotel Transylvania does not make the damning sin of being boring, it certainly proves Sandler is capable of starring in a movie not of the atrocious variety. There are a number of jokes in David I. Stern’s screenplay that hit home (even when you can see them coming) and there is something charming about seeing all these creatures share the screen in a cheery monster mash-up. It’s like a more comedic The Expendables done via The Brothers Grimm.When all is said and done, Hotel Transylvania is inoffensive fluff that will be better served in a home video capacity than it ever will on the big screen. There is simply no “must see” element to this film. A little too noisy and a lot too bland, Sandler and co. should be able to please nearly every child in the audience but will never have the power to pull the child out of an older crowd.